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Friday, April 28, 2017

Kyoto Butoh "Underworld Flower"


On a rainy evening in late April, we cycled into central Kyoto to watch a performance of Butoh.

Yurabe Masami Perfoming
In the words of performer Yurabe Masami:

"Since ancient times, we have been fascinated by flowers. Flowers are ever present at festivals, funerals, ceremonies, and such places of deep memory.

This fleeting life, an ephemeral flower blossom—do we not discern a world beyond time in that transitory beauty? This “beyond time” is expressed in Japanese by the word yomi, which refers to the world below. Yomi is a place of both return and resurrection. This place where the dead dwell is not an isolated otherworld, but extremely near.

For instance, during sleep or in the depths of words. Every single night asleep, we live in the world of yomi, then return home accompanied by new breath and vitality. Rather than isolated islands, aren’t our bodies within a great ocean beyond time? Is it not this new breath from yomi that causes flowers to bloom?

Butoh is for me an expression of this. Not a presentation of something with our bodies—but to feel that the body itself becomes an outrageous miracle of a flower. Along with your own body, the viewer’s..."


Like a previous performance, it felt vaguely like watching someone die, slowly.

Devastating. Powerful. Intimate.  

Yuji Kohara.


Ticketing and Reservations Entry costs ¥3,000. Student discount ¥500 off. Reservations please: only eight places per performance.


Just north of the intersection of Koromonotana and Sanjo streets, Nakagyo-ku, Kyoto 604-8202

 Kyoto Subway: Five-minute walk from Karasuma line or Tozai line; Karasuma Oike station, Exit #6.
 Hankyu Train: Ten-minute walk from Kyoto line, Karasuma station, Exit #22.


Hiroshi Mimura and Yuji Kohara

Inquiries: butohkan.jp

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Thursday, April 27, 2017

Japan Stationery Museum, Tokyo


Yatate portable pen and ink case, Japan Stationery Museum, Taito ward, Tokyo.
Yatate portable pen and ink case, Japan Stationery Museum, Taito ward, Tokyo.
The Japan Stationery Museum (Nihon Bungu Shiryokan) is a small repository of things to do with writing - in the broadest sense of the word - in the Yanagibashi district of Taito ward, Tokyo.

The museum occupies the first floor of the Tokyo Bungu Hanbai Kenpo Kaikan (The Tokyo Stationers' Insurance Hall), and covers a lot in quite a small space.

Display cases, the Japan Stationery Museum, Yanagibashi, Taito-ku, Tokyo.
Display cases in the Japan Stationery Museum
There are the expected things on display like pens, pencils and calligraphy paraphernalia, but among them certain items stand out such as replicas of pencils used by the Shogun Ieyasu Tokugawa (1543–1616) and the military commander Masamune Date (1567–1636), ancient Chinese ink stones, and Edo era ink cases (that look like smoking pipes). There are ink bottles, and a huge calligraphy brush made from 50 horses' tails and weighing 14kg.

There are examples of Egyptian papyrus, quill pens, bamboo pens, grass pens, antique fountain pens representing dozens of illustrious brands, and all manner of other writing implements.

Ink bottles, Japan Stationery Museum, Taito-ku, Tokyo.
Ink bottles, Japan Stationery Museum, Taito-ku, Tokyo.
Yet there are unexpected items, too, that stretch the meaning of the word "stationery," like personal seals from China and Japan, including a replica of a solid gold one used officially in Japan in ancient times. There is a collection of wicked-looking paper knives. And there are even machines such as cash registers, calculators, and a futuristic robotic writing arm.

Mechanical calculators on display at the Japan Stationery Museum, Taito-ku, Tokyo.
Mechanical calculators, Japan Stationery Museum, Tokyo.
The calculators made for some of the most interesting exhibits, covering everything from old abacuses, to clunky mechanical hand-operated calculators from the 1960s that looked more like typewriters (of which there were also several).

Primitive long-distance messaging machine in the Japan Stationery Museum, Tokyo.
Primitive long-distance messaging device in the Japan Stationery Museum, Tokyo.
For its small size, the Japan Stationery Museum had an unexpectedly rich and varied range of exhibits, and I spent a good 20 minutes here taking everything in - somewhat longer than the 5 or so minutes I had envisaged on first walking in.

Calligraphy ink stones at the Japan Stationery Museum, Tokyo.
Calligraphy ink stones at the Japan Stationery Museum, Tokyo.
The Japan Stationery Museum is free to enter, and photography is permitted. The curator is welcoming and friendly. There is virtually no English - just a little on the two pamphlets I was given. However, the one thing that seriously compromises the Japan Stationery Museum is its extremely limited opening hours: 1pm - 4pm on weekdays only, closed weekends and public holidays. Closed December 28 - January 5.

Robot writing arm at the Japan Stationery Museum, Tokyo.
Robotic writing arm, Japan Stationery Museum
The Japan Stationery Museum is five minutes' walk from the East Exit of Asakusabashi Station on the JR Sobu Line, or Exit A1 of Asakusabashi Station on the Toei Asakusa Subway Line. Just follow the overhead Sobu Line railway eastwards.

Japan Stationery Museum in Asakusabashi, Tokyo.
Japan Stationery Museum, Tokyo

Japan Stationery Museum
Yanagibashi 1-1-15, Taito-ku, Tokyo 111-0052
Tel. 03-3861-4905

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Wednesday, April 26, 2017

Japanese Umbrellas

One of the most colorful and appealing images of traditional Japan is the graceful paper umbrella. Forty years ago there were almost 10,000 artisans in Japan making umbrellas of oiled paper and bamboo; now very few remain.

Japanese Umbrellas.

A few years ago Jacqueline Ruyak interviewed Shigeta Zenji, an umbrella maker from Obama in Fukui Prefecture.

"I'm working for my health," laughed Shigeta. "I thought about retiring when I turned eighty-three, but I start to feel all my aches and pains if I don't work."

A native of Obama, Shigeta says that he never wanted to make umbrellas. Being the oldest son, however, he had no choice but to follow in his father's footsteps. He used some tools his father made.

"I always used to envy salaried workers because of their steady incomes, but I guess you could say my work is now my hobby. Now I have the time to enjoy both working and talking with customers."

Japanese Umbrellas.

Hard times hide in those words. In the 1950's, when the market for traditional umbrellas all but disappeared, Shigeta watched as the number of active umbrella makers dwindled, forced into retirement or another line of work.

"It was hard, but I see it now as a kind of spiritual training. I couldn't have made it, though, without the support of my family. When I was at my peak, competition was fierce among the local makers as well as among makers in the rest of the country.

That's all over now and I can take it easy, which is good at my age, I suppose. But I sometimes miss the stimulation." Shigeta is unusual among umbrella makers in that he made both the plain, sturdy bangasa and the colorful, slimmer and more elegant janomegasa.

Japanese Umbrellas.

The name bangasa evolved during the Edo period, when shopkeepers in Edo (present-day Tokyo) made it a practice to put a number (ban) on the umbrellas (kasa) they lent to customers caught in the rain. Janomegasa get their name from the umbrella's 'snake eye' design of concentric circles.

Bangasa were so common before World War II that each prefecture had its own color combination, and umbrella makers had to be careful not to confuse orders from different parts of the country.

Nowadays, most customers at Shigeta's sparsely furnished, tranquil shop buy the handmade umbrellas for nostalgic reasons or to use when wearing kimono, and janome are more popular.

Because bamboo and washi (handmade paper) are essential for making Japanese umbrellas, artisans traditionally lived near a good source of both. Obama, in the Wakasa area of Fukui, is blessed with both abundant bamboo stands and Wakasa washi, and it used to be famous for its umbrellas. About 200,000 umbrellas a year were shipped to the Tohoku region and Hokkaido, Shigeta recalls. Those from Gifu, often called the home of the Japanese umbrella, were usually sent to Kyoto.

The making of umbrella parts is still a cottage industry, and Shigeta used to order his ribs, nubs, and shanks from Gifu. Pointing to a pile of slender bamboo ribs, he sighed, "Next year they want a thirty percent increase for those, but I can't raise my prices."

Shigeta favors the locally made washi for its strength. In addition to plain and colored paper, he uses a paper patterned with Japanese umbrellas, a design which is peculiar to Wakasa washi.

Japanese Umbrellas from Kyoto.

Twelve steps go into making an umbrella. First, the handle is attached to the nub, then the ribs, notched with holes, are fitted into slots in the nub. Once the ribs are in place they must be threaded together with strong cotton thread. Next, the ribs are spread apart and the holes at the ends are threaded together before a strip of paper, folded double, is pasted along what will become the rim of the umbrella.

The fifth, and most important, step is fitting paper around the top so that rain cannot seep in. That done, strips of paper cut on the diagonal are pasted to every three ribs to give the umbrella a nicely rounded shape when furled.

The umbrella is then dampened and left overnight. The next day, the ribs are painted with a mixture of paint and a red paste called benigara, and the paper is oiled with linseed oil. Next the umbrella is dried in the sun, then lacquered. How long does this process take? "That's hard to say because I usually work on fifty umbrellas at a time," says Shigeta, who adds that he was considered a full-fledged maker when he was able to finish one hundred umbrellas a month.

To dry the umbrellas Shigeta takes them to a flat area, opens them, and sticks the handles in the ground---the best way to secure them, he says. A field of sunning umbrellas is a lovely image, but the capricious weather on the Japan Sea coast makes this the worst part of the process.

"Around noon it starts raining or a wind comes up or the wind direction suddenly changes. Now I dry twenty to fifty umbrellas at a time, but when I was at my peak it was over two hundred. Getting them out of the ground in a sudden rainstorm was hard work, but at least I could dry any that got wet.

Order this Japanese Umbrella from GoodsFromJapan.com.

The wind is the problem. It tilts them one way, then another, and sometimes the gusts are enough to blow them into telephone wires or trees. Out of a hundred umbrellas, five or six are beyond repair."

What is the best thing about using a bangasa or janome? The smooth yet warm feel of the bamboo handle? The sound of rain on the taut paper? The slight smell of lacquer and oil? The soft color of light filtered through paper? That two can fit cosily under one and be sure of staying dry?

Used with care, a bangasa or janome should last for about ten years. Use is essential because the paper gets stronger each time it is softened by rain and allowed to dry. Shigeta advises using the umbrella as often as possible, then making sure that it dries thoroughly. Store it in a well-ventilated place to avoid ruining the oiling. With these few simple precautions, a traditional Japanese umbrella should be a thing of beauty and use for years.

Jacqueline Ruyak

The Japan Sea-coast town of Obama, where Shigeta Zenji lived, is about a three-hour train ride north from Kyoto Station. However, bangasa and janome can be purchased in Kyoto at the following shop: Tsujikura or ordered online from GoodsFromJapan.

Tsujikura is on the east side of Kawaramachi, north of Shijo. Open 11 am-7pm, closed Wednesdays.

7F Tsujikura Bldg
Higashi-gawa Shijyo Noboru
Kyoto 604-8026
Tel: 075 221 4396

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Tuesday, April 25, 2017

Chidorisu Murayama Zosu Kyoto Vinegar


Murayama Zosu: Making the finest vinegar products for more than 250 years

Kyoto vinegars are popularly known as kyozu, and among the several locally produced brands, Murayama Zosu's Chidorisu has an especially high reputation. Its unique fullness and depth of taste, unchanged for over 250 years, are absolutely indispensable for bringing out the flavor in kyo-ryori (traditional Kyoto cuisine), which has become synonymous with fine Japanese food.

Chidorisu Murayama Zosu Kyoto Vinegar.

Large scale Japanese vinegar production dates back to the Muromachi Period (1333 - 1576). Before that time, vinegar, like sake, was a luxury product available only to the aristocracy. Beginning in the Genroku era (1688-1704) vinegar came into wide use to fix the color in dyed kimono fabric. This process is no longer carried out with vinegar and so today the only vinegar makers surviving in Kyoto are the ones making vinegar for cooking.

Murayama Zosu produces its vinegar through a series of separate stages. First, they take normal white rice and saccharify it. Following this they ferment the mixture into alcohol. Finally, they add an acetic acid producing bacteria and allow the mixture to ferment further until it becomes vinegar. Murayama Zosu produces its vinegars using two methods: 1) their handmade vinegar making process takes about three months from start to finish. 2) using machine production techniques, the company produces about 1,000,000 liters of vinegar a year.

It is almost impossible to talk about authentic Japanese cuisine without vinegar. For example, how could we enjoy the special taste experience of sushi without vinegar? Kyoto vinegars are made to complement the subtle blend of flavors that traditional Kyoto cuisine is known for. In particular, no one flavor should dominate the overall taste, so Kyoto vinegar is very light in comparison to vinegars made in other parts of the country.

Most of Murayama Zosu's production is sold directly to restaurants, and retailed through supermarkets and in the Kyoto food speciality corners of major departments stores. Some of their best products are sold directly to Japanese restaurants in London and Paris, mainly because the vinegar in Europe is much too strong for Japanese cooking purposes.

For visitors interested in visiting Murayama Zosu's factory, tours can be arranged (advanced reservations are required, and an interpreter should accompany visitors not fluent in Japanese). For more information on arranging a tour or buying some of their products (their mustard-like vinegar miso is highly recommended) telephone the company on 075 761 3151. Their traditionally-styled newly rebuilt factory/office is centrally located on the south side of Sanjo just west of Higashioji.

If you wish us to purchase and ship Chidorisu vinegar to you please contact us

Maruyama Zosu
3-2, Sanjo Ohashi
Kyoto 605-0005

Written by Ian Ropke, founder and owner of Your Japan Private Tours (YJPT, since 1992), a Japan destination expert for travel and tourism. He specializes in private travel (customized day trips with guides / private guided tours) and digital guidance solutions (about 25% of our business and growing!). Ian and his team offer personalized quality private travel services all over Japan. To learn more, visit www.kyoto-tokyo-private-tours.com or call us on +1-415-230-0579.

Monday, April 24, 2017

Marvel Age of Heroes Exhibition

Marvel's comics exhibition "Age of Heroes" is taking place at the Tokyo City View, on the 52nd floor of Roppongi Hills Mori Tower from April 7 to June 25.

Marvel Age of Heroes Exhibition, Tokyo.

Over 200 exhibits are on display including original stage costumes, props and other Marvel memorabilia.

Beat the queues with VIP tickets and enter without lining up.

22% OFF Mori Tower Observation Deck Roppongi Hills VIP Tix

Marvel Age of Heroes Exhibition, Tokyo, Japan.

Access to Roppongi Hills by train is from the following five Tokyo subway stations:

-Roppongi Station on the Hibiya Subway Line, Exit 1C (3 mins)
-Roppongi Station on the Oedo Subway Line, Exit 3 (6 mins)
-Azabu Juban Station on the on the Oedo Subway Line, Exit 7 (8 mins)
-Azabu Juban Station on the Namboku Subway Line, Exit 4 (11 mins)
-Nogizaka Station on the Chiyoda Subway Line, Exit 5 (10 mins)

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Sunday, April 23, 2017

Japan News This Week 23 April 2017


Japan News.
Japan: More than four million middle-aged 'parasite singles' still live with their elderly parents

Criminal complaint filed against PM's wife, Akie Abe, and aide over Moritomo Gakuen
The Mainichi

What it's like to hold Japan's super train golden ticket

Anger, confusion as Japan revives militaristic edict
The Business Times

Japan's exports, imports surge in sign of renewed vigor

Japan Inc braces for labor reform, plans to boost productivity - Reuters poll

Last Week's Japan News on the JapanVisitor blog


Abortions reported in Japan have steadily declined over the past few decades, from their peak in 1955 when the number of abortions was 67% of the number of live births, to 2000 when they were 28%, to 2014 when they were 18%.

Source: Historical abortion statistics, Japan, Johnston's Archive

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Saturday, April 22, 2017

Beta - not Betaa


If you know a smattering of Japanese and you are listening to Japanese people talking among themselves, you may well catch what sounds like the word "better" and think they are using katakana English to express a preference for something.

However, the chances are that rather than betaa, with its long drawn out final "ah" sound, that corresponds to the English "better," you are actually overhearing the word beta ("beh-ta"), which is quite different - almost opposite - in meaning, in fact.

Sore wa beta na hyogen da 「それはベタな表現だ」, or Beta na hassou da ベタな発想だ mean, respectively, "That's a hackneyed expression" or "(That's a) humdrum idea."

According to a contributor to the excellent Yahoo Chiebukuro (literally "Yahoo Knowledge Bag") website, an online forum for all possible kinds of questions, there are two possibilities when it comes to beta's roots.

One is that beta is a corruption of the word subete, or "everything," "all," in the sense of "covering everyhing," "being all the same," and that this developed in about the 17th century.

The other approaches this same idea of "uninterupted sameness" and "lack of differentiation" from a completely different angle, i.e., from the established meaning of beta (べた, in hiragana, not katakana) as "mud," this mud being used to fill in all the gaps - as on an old block wall, for example - to make the surface smooth and featureless.

Whichever the theory that you go with, there are many words in Japanese in use today that express this sense of flatness, e.g., betanuri べた塗り means painting or spreading a substance over a surface to make its smooth, betanagi べた凪 means calmness or wavelessness on a body of water, betaashi べた足 is a golfing term used to describe planting your feet flat on the ground before making a swing, betabore べた惚れ means to fall hopelessly in love with someone ("fall flat in love" kind of works in English, too!), and betabome べた褒め means to praise someone to the skies (in the sense of completely ["smoothly" if you like] slathering them with praise).

By the end of the 18th century, saucy Edo-period short novels, which closely mirrored life on the streets, were including the word beta in the sense of "lacking a twist" and being "two a penny" - a usage which before long found its way into the language of artists and entertainers to describe cliched, corny, unimaginative and same-old-same-old.

So keep a close ear out for whether that last "ah" sound is short or lengthened. There's a crucial difference.

Zenzen beta na hanashi ja nai ne! 全然ベタな話じゃないね! (It's not your everyday kind of story at all, is it!)

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Friday, April 21, 2017

Yodobashi Camera - an Appliance Megastore


Yodobashi Camera is one of Japan's biggest electronics and home appliance retail chains.

Apple Store, Yodobashi Akiba, Akihabara, Chiyoda ward, Tokyo.
The Apple store in Yodobashi Akiba
There are 24 branches of Yodabashi Camera, about half of them in the greater Tokyo area, and the rest in big population centers throughout Japan, going as far north as Sapporo in Hokkaido and as far west as Hakata in Kyushu.

The camera section on the 3rd floor of the Akihabara branch of Yodobashi Camera.
Cameras in Yodobashi Camera, Akihabara

Yodobashi Camera began in 1960 as a camera store, when a camera cost months and months worth of the average salary. Yodobashi Camera's strategy was to open stores right next to major stations in the greater Tokyo area and to stock as many products as possible, rapidly expanding into home appliances in general. Yodobashi Camera is all about accessibility: accessibility to stores: near stations and open from 9:30am to 10pm, and accessibility to products, the range of which now covers pretty much everything.

Yodobashi Akiba Akihabara, Tokyo.
Yodobashi Akiba, Akihabara
This strategy very much paid off, and Yodobashi Camera is now a giant, especially in the Tokyo area where shopping for appliances almost necessitates a visit to Yodobashi Camera to compare prices - whether in person or online.

Yodobashi Camera salespersons at work.
Selling cameras at Yodobashi Camera
Online is Yodobashi Camera's new retail frontier. Last September Yodobashi Camera started a new online service called Yodobashi Extreme that, in the 23 Tokyo wards and a few areas just outside them, directly competes with Amazon Japan's Prime Now.

Information counter, Showa-dori Entrance, Yodobashi Akiba.
Multimedia Akiba Store information counter, Showa-dori Entrance
Prime Now gets goods to customers within an hour if they spend more than 2,500 yen and don't mind paying an 890 yen freight charge, or within two hours freight-free.

Yodobashi Extreme's delivery time frame is two and a half hours - not as fast as Amazon Prime Now - but the customer can follow the progress in real time online, delivery is always free, and the range of goods available on Yodobashi Extreme is currently much, much bigger than on Amazon Prime Now. The two companies are therefore locked in an online battle for Japan's capital city. Time will tell if Tokyo has room for both.

A Gold Point Card from Yodobashi Camera
Yodobashi Camera Gold Point Card
Meanwhile, Yodobashi Camera's brick and mortar stores, at least in Tokyo, seem to be constantly thronged. The service at Yodobashi Camera is hit and miss. Staff there often seem routinely overworked and distracted, and can often be more curt and less cooperative than typical Japanese store staff. However, Yodobashi Camera stores don't pretend to be boutiques, and the range of goods available there makes a visit to Yodobashi Camera almost mandatory if you want a hands-on comparison between the goods on your wish list.

Prices at brick-and-mortar Yodobashi Camera stores are usually higher than what you can find online, but the store's bonus points system (10% of purchase if paying by cash, 8% with credit card) reduces the gap considerably.

Showa-dori Entrance, Multimedia Akiba Store, Yodobashi Camera, Akihabara.
Showa-dori Entrance, Yodobashi Camera, Akihabara, Tokyo

Yodobashi Akiba is my local Yodobashi Camera branch, in Akihabara. The Multimedia Akiba Store is a massive building with 9 above-ground floors full of merchandise and 6 underground parking floors. Everything is sold here in the way of gadgets and appliances. There is even a restaurant floor (8F) and a golfing and batting center on the top (9F) floor.

Exit 3 of Hibiya Subway Station, Akihabara, at left, and the Showa-dori Exit of JR Sobu line Akihabara station at right. Entrance to Yodobashi Akiba off to right.
Subway (left) and JR (right), with Showa-dori Entrance of Yodobashi Akiba off to the right

If you go to Yodobashi Akiba by train, the Showa-dori Exit of JR Akihabara Station brings you directly to the Showa-dori Entrance of the store. Exit 3 of the Hibiya Subway Station will also bring you out at Yodobashi Akiba's Showa-dori Entrance. (Read more about Akihabara shopping.)

There is also a massive Yodobashi presence in Shinjuku, which is where the company's headquarters are located.

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Thursday, April 20, 2017

Ginza Six Opens Today


Ginza Six opens in Ginza, Tokyo.
Ginza Six - a grand, glitzy new shopping presence in Ginza

Ginza Six is a brand new shopping complex that opens today in Tokyo's most prestigious shopping district, Ginza.

Ginza Six is so named because it is on the Ginza 6-Chome intersection, on the site where the Matsuzakaya department store (Ginza's first) stood between 1924 and 2013. The company that runs the Matsuzakaya and Daimaru chains of department stores teamed up with Mori Building - most famous for its Roppongi Hills and Omotesando Hills complexes - as well as Sumitomo Real Estate - to bring this grand retail project to life.

And grand is the word. Ginza Six is a sleek, imposing modern edifice designed by the prominent architect, Yoshio Taniguchi, with just enough of a minimal, functional air - and just enough use of wood inside - to save it from complete 80s glam. The building's facade is supposed to evoke the idea of sunrays and traditional Japanese noren curtains that typically hang in the doorways of restaurants.

Ginza 6 facade, Ginza, Chuo-ku, Tokyo.
Ginza 6: a new home for international fashion brands in Tokyo
Ginza Six's 17 floors (four of them below ground) house over 240 stores, half of which are fashion-related and with dozens and dozens of food-related establishments, too, and a dedicated delicatessen floor on B2.

Special features at Ginza Six include a charming, church-like noh theater on the B3 floor, and a big, rather formal, rooftop garden that includes rows of maple and sakura trees.

A brief stroll through Ginza, especially on a weekend when the main street is pedestrianized, quickly reveals that a sizeable proportion, if not the majority, of shoppers here are from China. Chinese tourists are drawn to Ginza in their droves for the top-class brand goods here, which are guaranteed to be genuine; for the prices, which are generally lower in Japan for such goods than in China; and for the panache of Ginza: Tokyo's top shopping area in terms of the range and quality of luxury goods available there.

Entrance to Ginza 6 shopping center, Chuo-ku, Tokyo.
Entrance to Ginza Six
In the 21st century when most young Japanese now flock to cheap fashion outlets like H&M, Uniqlo and Gap, it is hard to imagine developments like Ginza Six surviving on the strength of Japanese shoppers alone. And to moneyed Chinese tourists used to the boutique glamor that makes up great swathes of cities like Shanghai, for example, old-time Japanese department stores just do not cut it. Ginza Six with its conscious Japanesque touches incorporated into cutting edge global glam is now the most alluring tourist trap in town.

New shopping glitz for Ginza - the Ginza 6 retail complex.
Crowds outside Ginza 6, Tokyo
Read more about Ginza shopping.

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Wednesday, April 19, 2017

Nameless Theatre Presents Othello


Nameless Theatre presents Othello (English language with Japanese subtitles)

Following the success of last season's A Midsummer Night's Dream, Nameless Theatre is preparing for an evening of jealously, betrayal and revenge as they bring Shakespeare's thriller, Othello, to Nagoya this June.

Nameless Theatre Presents Othello.

Powerful and influential, Othello is an entrepreneur at the peak of his powers. But when the "green-eyed monster" slowly begins to convince him of the infidelity of his wife, Desdemona, he embarks on a mission of bloody vengeance.

Sleek, fast-paced and as up to date as when it was first penned, Shakespeare's revenge tragedy shows us the power love has to unite, strengthen, and destroy.

When: Tues. 6 June (7pm); Wed. 7 June (7pm); Thurs. 8 June (19:00); Fri 9 June (7pm) (doors open 30 mins. before performance)

Where: Chikusa Playhouse (千種文化小劇場) 3 Chome-6-10 Chikusa, Chikusa-ku, Nagoya-shi, Aichi-ken 464-0858

Access: A 3-minute walk from Fukiage Station exit 7, or a 10-minute walk from Imaike station exit 9 on the Higashiyama Subway Line.

Admission: General admission 4,000 yen in advance (5,000 yen at the door). Discounts available for groups of 10 or more.

Reservations: Visit namelesstheatre.org, or phone 052-725-8216 (9am to 5pm)

Inquiries: E-mail info@namelesstheatre.org

Facebook: facebook.com/namelesstheatre

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